Bass Guitar VST Multi Effects Plugins Great Bass Sound!

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Verkäufer: sweetmusicstuff ✉️ (448) 0%, Artikelstandort: Henrico, Virginia, US, Versand nach: WORLDWIDE, Artikelnummer: 130430401074 Bass Guitar VST Multi Effects Plugins Great Bass Sound!.

Bass GUITAR VST Effects

"If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object. " Colin Greenwood (Radiohead)

Wanna Get Great Sounds for your Bass Recordings on Your PC?

Recreate the sounds of your favorite bass hero or create your own signature sounds. With these effects you can bring out the punchiness of your bass. If you're a bass player doing ANY kind of recording, this is a MUST own product.

Buy now to get a thick sounding bass and a large variety of VST effects in a single CD package. Much simpler than miking up your bass amp and spending hours to get the right tones. Direct Inject your bass right into your sound card and add warmth, punch and crazy effects --you're in the driver's seat!

Why spend hundreds for individual bass effects pedals and rack units when you can get similar sounds here for just a fraction of the cost? With this bundle you get a large array of digital effects and plug-ins for any audio editor/DAW that supports VST plug-ins!

Key features of this unique effects bundle include:

  • Compressor, Limiter, Flanger, Phaser, Chorus, Delay, Noise Reduction, Tube Distortion, Bass Expander and much more!
  • VST Instrument Tuner is included!
  • Drum Machine Software is included!

System Requirements:

PC/Windows: You will need a Windows PC equipped with reasonable speed for real-time audio applications. A CD/DVD Drive is required for installation of the disk.


Special Bonus Effects!!

Buy Now and we'll include:

  • 30 Free VST Plugins!!

The plug-ins:

Bandisto - Multi-band distortion BeatBox - Drum replacer Combo - Amp & speaker simulator De-ess - High frequency dynamics processor Degrade - Sample quality reduction Delay - Simple stereo delay with feedback tone control Detune - Simple up/down pitch shifting thickener Dither - Range of dither types including noise shaping DubDelay - Delay with feedback saturation and time/pitch modulation Dynamics - Compressor / Limiter / Gate Envelope - Envelope follower / VCA Image - Stereo image adjustment and M-S matrix Leslie - Rotary speaker simulator Limiter - Opto-electronic style limiter Loudness - Equal loudness contours for bass EQ and mix correction Multiband - Multi-band compressor with M-S processing modes Overdrive - Soft distortion Re-Psycho! - Drum loop pitch changer RezFilter - Resonant filter with LFO and envelope follower Round Panner - 3D panner Shepard - Continuously rising/falling tone generator Splitter - Frequency / level crossover for setting up dynamic processing Stereo Simulator - Haas delay and comb filtering Sub-Bass Synthesizer - Several low frequency enhancement methods Talkbox - High resolution vocoder TestTone - Signal generator with pink and white noise, impulses and sweeps Thru-Zero Flanger - Classic tape-flanging simulation Tracker - Pitch tracking oscillator, or pitch tracking EQ Vocoder - Switchable 8 or 16 band vocoder VocInput - Pitch tracking oscillator for generating vocoder carrier input


Virtual Studio Technology

From Wikipedia, the free encyclopedia

VST effects A VST plug-in that is used to process an audio input, such as reverb and phaser effects. Other monitoring effects provide visual feedback of the input signal without processing the audio. Most hosts allow multiple effects to be chained. Many such effects are available as free downloads or for purchase.

Bass effects From Wikipedia

Bass effects are electronic devices used to modify the tone, pitch or sound of electric bass guitars or, more rarely, amplified double basses. Bass effects can be housed in small 3" or 4" square "stompbox" effects pedals, larger floor multi-effect units, bass amplifiers, bass amplifier simulation software, and rackmount preamplifiers or processors. While electric bass players do not use effects as often as electric guitar players, some bass effects such as preamplifiers, compressors, and equalizers are widely used, and effects such as distortion are commonly used in heavy metal and punk.

Types

Sound Conditioners Bass effects that condition the sound, rather than changing its character are called "sound conditioners." Gain booster effects pedals and bass preamplifier pedals increase the gain (or volume) of the bass guitar signal. Since gain booster or preamp pedals have a footswitch for toggling the effect on and off, they can be used to add volume for a bass solo part or a bass break. Bass preamplifiers for double basses are designed to match the impedance of piezoelectric pickups with the input impedance of bass amplifiers. Some double bass preamplifiers may also provide phantom power for powering condenser microphones and anti-feedback features such as a notch filter (see "Filter-based effects" section below).

Volume pedals are volume potentiometers set into a rocking foot treadle, so that the volume of the bass guitar can be changed by the foot. While electric basses have a volume potentiometer on the front of the instrument, during some musical passages, the bass player needs both hands to perform, so they may not be able to change the volume knob with their hand. For the double bass, the volume pedal allows the performer to change the volume without having to change the volume on their amplifier or preamplifier. Compression pedals affect the dynamics (volume levels) of a bass signal by subtly increasing the volume of quiet notes and reducing the volume of loud notes, which smoothes out or "compresses" the overall sound. Limiters, which are similar to compressors, prevent the upper volume levels (peaks) of notes from getting too loud, which can damage speakers. Noise gates remove hums and hisses that occur with distortion pedals, vintage pedals, and some electric basses.

Distortion Bass distortion effects preamplify the signal until the signals' waveform "clips" and becomes distorted, giving a "growling", "fuzzy" or "buzzing" sound. Until the late 1980s, distortion effects designed specifically for electric bass' low range were not commonly available in stores, so most electric bass players who wanted a distortion effect either used the natural overdrive that is produced by setting the preamplifier gain to very high settings or used an electric guitar distortion pedal. Using the natural overdrive from an amplifier's preamplifier or a guitar distortion effect has the side effect of removing the bass' low range (low-pitched) sounds. When a low-range note is amplified to the point of "clipping", the note tends to go up an octave to its second harmonic, making deep bass notes sound "tinny".

In the 1990s and 2000s, bass distortion effects became widely available. These effects contained circuitry which ensured that the low-range bass signal was maintained in the distorted bass tone. Bass distortion is used in genres such as metal, thrash, hardcore, and punk. Yoshihiro Naruse of Casiopea, a Japanese jazz-fusion band, uses distortion for solos.

Bass "overdrive" effects use a vacuum tube (or digitally-simulated tube modeling techniques) to compress the top of the signal's wave form, giving a smoother distorted signal than regular distortion effects. Regular bass distortion effects preamplify the signal to the point that it develops a gritty or "dirty" tone.

Fuzz bass effects are sometimes created for bass by using fuzzbox effects designed for electric guitars. Fuzzboxes boost and clip the signal sufficiently to turn a standard sine wave input into what is effectively a square wave output, giving a much more distorted and synthetic sound than a standard distortion or overdrive. Paul McCartney of The Beatles used fuzz bass on "Think for Yourself" in the 1965 album "Rubber Soul". The bassist for Muse, Chris Wolstenholme, often uses bass fuzz in the band's songs, most notably the single Hysteria, and along with delay in the single Time Is Running Out.

Filter-Based Effects Filter based effects for bass include equalizer, phase shifter, wah and auto-wah.

A bass equalizer is the most commonly used of these three effects. It adjusts the frequency response in a number of different frequency bands. While its function is similar to a tone controls on an amplifier, such as rudimentary "bass" and "treble" frequency knobs, it allows for more precise frequency changes. A rack-mounted bass equalizer, for example, may have ten sliders to control the frequency range encompassed by a regular "bass" frequency knob.

In comparison with an electric guitar equalizer, a bass equalizer usually has a lower frequency range that goes down to 40 Hz, to accommodate the electric bass' lower range. Some bass equalizers designed for use with extended range basses go even lower, to 20 Hz. Equalizers can be used to change the tone and sound of the electric bass. If the instrument sounds too "boomy", the bassist can lower the frequency which is overly resonant, or if there is too much fingernail or pick noise, the higher frequencies can be reduced.

Notch filters (also called band-stop filters or band-rejection filters) are sometimes used with double basses. Notch filters are filters that allow most frequencies to pass through unaltered, while attenuating those in a specific range to very low levels. Notch filters are used in instrument amplifiers and preamplifiers for acoustic instruments such as acoustic guitar, mandolin, and bass instrument amplifiers to reduce or prevent feedback. While most notch filters are set manually by the user, there are also automatic notch filters which detect the onset of feedback and notch out the frequency before damaging feedback begins.

Bass Phase Shifters create a complex frequency response containing many regularly-spaced "notches" in an incoming signal by combining it with a copy of itself out of phase, and shifting the phase relationship cyclically. The phasing effect creates a "whooshing" sound that is reminiscent of the sound of a flying jet.

Bass Wah pedals are a band-pass filter set into a rocking foot treadle, so that it can be operated by the foot, which is designed for the frequency range of the bass guitar. In the fully depressed position, the wah pedal (or "wah-wah pedal") allows only a small portion of the incoming signal's higher-range frequencies to pass through the filter. Rocking the pedal back and forth alternately allows lower and higher frequencies to pass through, which creates a "crying" effect similar to a person saying "wah". One of the more notable uses of a bass wah is by the late Cliff Burton, the bassist for Metallica. His solos in such songs as "(Anesthesia) Pulling Teeth" and "The Call Of Ktulu" demonstrate his use of a Morley Power Wah Boost pedal in conjunction with an Electro-Harmonix Sovtek Big Muff Pi fuzz pedal.

Auto-Wahs are a Wah pedal without a rocker, controlled instead by the dynamic envelope of the signal. An auto-wah, also called an envelope filter, uses the level of the guitar signal to control the wah filter position, so that as a note is played, it automatically starts with the sound of a wah pedal pulled back, and then quickly changes to the sound of a wah pedal pushed forward, or the reverse movement depending on the settings.

Time-Based Effects Time-based effects include delay/echo, chorus and looping.

Delay or Echo effects create a copy of an incoming sound and slightly time-delay it, creating either a "slap" (single repetition) or an echo (multiple repetitions) effect. Bassists who have a prominent solo role in the bands they play in (such as jazz fusion bassists) use time delay pedals to add a very short delay (in effect, a reverb sound) to their fretless bass playing. While many effects used for bass guitar have specialized versions designed for the low frequency of the bass (e.g., bass overdrive, bass chorus, etc), delay is an exception. Most bass players use a standard delay effect.

Bass chorus effects use a cycling, variable delay time that is short so that individual repetitions are not heard. The result is a thick, "swirling" sound that suggests multiple instruments playing in unison (chorus) that are slightly out of tune. Bass chorus effects were more common in the late 1980s, when manufacturers such as Peavey included chorus effects in its bass amplifiers. In the 1990s and 2000s, more sophisticated bass chorus effects devices were created which only apply the swirling chorus effect to the higher parts of the bass tone, leaving the instrument's low fundamental untouched.[5]

Looping pedals have extremely long delay times, which allow performers to record a phrase or passage (such as a "riff" or "groove") and play along with it. This allows a solo performer to record an accompaniment or ostinato passage and then, with the looping pedal playing back this passage, perform solo improvisations over the accompaniment. Jazz fusion bassists and jam band bassists have used looping pedals in live performances. Fusion bassist Jaco Pastorius used a looping pedal for his song "Slang", and solos over the backing parts he recorded on the loop. As with digital delay effects, most bass players use a standard loop pedal rather than a bass-specific pedal.

Pitch-related Effects Some pitch related effects are octavers and pitch shifters.

A bass octaver mixes the input signal with a synthesized signal whose musical tone is an octave lower than the original. This allows bass players to "thicken" their sound by creating parallel octaves to the bassline that they are performing. In the 2000s, this effect was integrated into some higher-end preamplifiers and amplifiers. Octave effects can also be used to provide an extended low range for bassists who do not have a 5-string or 6-string bass. Suboctave effects should be used with caution to avoid damaging equipment, because dropping an already-low-pitched low note down an octave can create extreme strain on amplifiers and speakers, especially at high volumes.

A pitch shifter is a device that alters the pitch of the instruments. They are often used with an expression pedal to give a smooth portamento-like effect. Pitch shifting pedals can also be used to transpose a bassline into a different key or add another parallel interval to a bassline (often a perfect fourth or perfect fifth).


  • Condition: Neu
  • Country/Region of Manufacture: United States
  • Type: Virtual Processor
  • Distribution Media: DVD-ROM
  • Platform: Windows

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