J. VATOUT & J.P. QUÉNOT GALERIE LITHOGRAPHIÉE du S.A.R DUC et DUCHESSE d'ORLÉANS RARE & EARLY WORK IN LITHOGRAPHY

2 vols. grand in-folio. 1/2 Leather

dos dorées 

Reliure de l'époque Condition relating to age & with traces of use Rather scarce PROVENANCE PRIVATE COLLECTION

PRIVATE COLLECTION

Provenance 

EX Fieldmarshal Rommel's Army Group B Headquarter in Normandy during Allies Landing after D-DAY June 6th 1944

https://normandybattlefields.com/la-roche-guyon/

BIBLIOTHEQUE CHÂTEAU LA ROCHE-GUYON

SALE: Sotheby’s Monaco SAM, Sporting d’Hiver, Monte Carlo, 8-9 December 1987 Sotheby's Catalogue illustrated here (Photo 5) in this offer is not included in the Sale

Library Stamps LA ROCHE-GUYON

The Subscribers List

( Liste des Souscripteurs A LA GALERIE LITHOGRAPHIÉE DU PALAIS ROYAL contient entre autres)

contains amongst others M. le Duc de la Rochefoucault-Liancourt 

11 January 1747  - LA ROCHE-GUYON -  27 March 1827

https://en.wikipedia.org/wiki/François_Alexandre_Frédéric,_duc_de_La_Rochefoucauld-Liancourt

That time the owner of Château La Roche-Guyon.

https://en.wikipedia.org/wiki/La_Roche-Guyon

https://www.nypl.org/blog/2018/10/31/ghost-library  (Photo 4)

https://www.britishmuseum.org/collection/object/P_1860-0728-313 (Photo 3)

Very Good Condition

Photo 1 shows 

The original painting by Horace Vernet that served for the Crayon Lithograph

cf. J.G.T. GRAESSE Trésor des Livres Rares et Précieuses cf.  Bibliotheque nationale de France. Paris British Museum&Library.London Library of Congress. Washington Jean Vatout / J. P. Quénot - Galerie lithographiée de son Altesse Royale Monseigneur le Duc d'Orléans, dédiée à son Altesse Royale Madame la Duchesse d'Orléans , Paris 1824-29

‘Galerie lithographiée de son Altesse Royale Monseigneur le Duc d'Orléans, dédiée à son Altesse Royale Madame la Duchesse d'Orléans’, Paris 1824-1829.

2 volumes. Half leather binding with corners. Spine with golden titled and decorations.

Fine EARLY Master Crayon Lithographs printed on Chine appliqué  and mounted on vellum. 

A protective sheet of silk on most art prints.

Each plate is stamped ‘galerie lithographique de S.A.R.M. le Duc d'Orléans’.


Publisher: J. Vatout & J.P. Quénot, Paris, Au bureau de la Galerie lithographiée de S.A.R.M.


CHEZ CHARLES MOTTE

Lithographic Print: Chs. Motte Imprimerie, 

Lithographer of S.A.R.M. le Duc d'Orléans, rue des marais, n°13, Faubourg St Germain.

Printed by: Imprimerie de Gaultier Laguionie, Hôtel des Fermes.


Jean Vatout (1791-1848):

Jean Vatout, born in Villefranche-sur-Saône on May 26th, 1791 and died in Claremont (England) on November 3rd, 1848, was a French Member of Parliament and man of letters.

Secretary of Boissy d'Anglas until 1814, Vatout was sub-prefect of Libourne during the Hundred Days, then sub-prefect of Semur-en-Auxois from 1819 to 1820. From 1822, he was part of the house Duke of Orleans with the title of librarian; he became the King's first librarian in 1832. According to a rumour, he was a natural son of Philippe-Égalité, and therefore a half-brother of Louis-Philippe. He appreciated the cheerfulness of his character and his Gallic songs. After 1830, he was Councillor of State, president of the Council of Civil Buildings, president of the commission of historic monuments (1837) and deputy of Semur from 1831 to 1848.

He encouraged the literary beginnings of Alexandre Dumas.

After several unsuccessful attempts, he was elected to the French Academy on January 6th, 1848. He followed in exile Louis-Philippe, at the castle of Claremont, in Surrey (spring 1848). The lead pipes of this castle being dilapidated, Vatout fell ill and died of poisoning by lead poisoning shortly after.


Charles Motte (1785-1836):

Charles Étienne Pierre Motte was a French lithographer and publisher, born in 1785 and died in 1836.

Charles Motte obtained his diploma allowing him to work as a lithographer and printer on October 31st, 1817.

The First complete Lithographic Book Incunabula (handwritten lithographicText&Crayon Lithograph Plate Illustrations) was printed in Paris 1816 by de Lasteyrie in only 50 copies. 

A so-called Vanity-Book for Elizabeth Foster post mortem to Georgina Duchess of Devonshire. 

It was not created for sale.Today still existing only 7 copies

worldwide

cf. Michael Twyman Early Lithographed Books

He was also among the first printers to obtain it, as it was created that same year.

Romanticism’s taste for the macabre and for the theme of brevity of life prompted him to lithograph specific Renaissance engravings, such as those of Hans Baldung (Death and the Maiden). His business was located on Rue des Marais Saint-Germain in Paris.

He illustrated the heading of the liberal daily ‘Le Miroir des spectacles, des lettres, des mœurs et des arts’, where many lithographs of his composition (February 1821 - June 1823) were being reproduced.

In 1827, he persuaded the young Eugène Delacroix to illustrate the first French edition of Faust by Johann Wolfgang von Goethe, and was himself in charge of lithographing the plates and colouring them in watercolours.

He lithographed illustrations by Jean-Baptiste Mauzaisse (1784-1844) (portraits of Jean-Jacques Rousseau, of Napoleon, etc...), Victor-Jean Adam (‘Avènement de l'Empire’), Ludwig Rullmann (portraits of Maurice de Nassau and Maurice of Saxony), Hippolyte Bellangé (‘Entrée des Français à Milan’), Achille Devéria (1800-1857), Edmond Savouré (‘Vue de Saumur en 1836’), and Henry Monnier, etc...

Charles Motte is the stepfather of Achille Devéria (who married his daughter Celeste) and the grandfather of Egyptologist Theodule Charles Devéria and Sinologist Jean-Gabriel Devéria (1844-1899).

Charles Motte taught lithography to missionary Laurent Imbert, who imported it to China. Motte's lithographic workshop collaborated on the printing of the Egyptian Grammar by Champollion, but Charles Motte died in Paris on December 5th, 1836, shortly after the first part was printed.

Celeste Devéria took over from her father and obtained the lithograph printer diploma on December 14th, 1837.


Volume 1:

‘Portrait de S.A.R.Madame La Duchesse d'Orléans’, painted by Gérard, lithographed by Grévedon;

‘Grand Escalier du Palais-Royal’, painted by Mr. Bouhot, lithographed by Mr. Arnout;

‘La Mort de Masaccio’, painted by Mr. Couder, lithographed by Mr. Weber;

‘Combat d'avant-poste’, painted by Horace Vernet, lithographed by Mr. Villeneuve;

‘Philippe-Auguste, avant la bataille de Bouvines’, painted by Mr. Blondel, lithographed by Mr. Collin;

‘Lavement de pieds d'un capucin’, painted by Mr. Granet, lithographed by Mr. Renoux;

‘Embuscade espagnole’, painted by Horace Vernet, lithographed by Mr. Villeneuve;

‘L'Amour et Psyché’, painted by Mr. Picot, lithographed by Mr. Grévedon, Planat and Courtin;

‘La Druidesse’, painted by Horace Vernet, lithographed by Mr. Maurin;

‘Chasseur à cheval’, painted by Géricault, lithographed by Mr. Volmar;

‘Daphnis et Chloé’, painted by Gérard, lithographed by GrévedonGelée;

‘Allan Mack-Aulay’, painted by Horace Vernet, lithographed by Mr. Bellay;

‘Intérieur de la chapelle du Calvaire’, painted by Mr. Bouton, lithographed by Mr. Renoux;

‘Le serment des trois suisses’, painted by Mr Steuben, lithographed by Mr Weber;

‘Mazzochi’, painted by Michallon, lithographed by Mr. Bellay;

‘Portrait de S.A.R.Madame La Duchesse d'Orléans’, painted by Gérard, lithographed by Grévedon;

‘Vue de Grotta Ferrata’, painted by Michallon, lithographed by Mr. Victor C.;

‘Fête de village’, painted by Miss Lescot, lithographed by Mr Bellay;

‘Cascade en Auvergne’, painted by Michallon, lithographed by Mr. Lefort;

‘Intérieur de l'Eglise de Louviers’, painted by Truchot, lithographed by Mr. Courtin;

‘Les trois âges’, painted by Gérard, lithographed by Mr. Marin;

‘Ruines des Casemates’, painted and lithographed by Renoux;

‘Etable à vaches’, painted by Horace Vernet, lithographed by Mr. Volmar;

‘Le pêcheur napolitain’, painted by Leopold Robert, lithographed by Mr. Bellay;

‘La folle de Bedlam’, painted by Horace Vernet, lithographed by Mr. Maurin;

‘Vue des ruines du théâtre de Taormine’, painted by Michallon, lithographed by Mr. Deroy;

‘Le Duc d'Orléans à Vendôme’, painted by Horace Vernet, lithographed by the same;

‘Souvenirs des bords de l'Isère’, painted by Bidault, lithographed by Mr. Richebois;

‘Chasseur à cheval’, painted by Géricault, lithographed by Mr. Volmar;

‘Jules César se rendant au Sénat’, painted by Abel de Pujol, lithographed by Mr. Chrétien;

‘Cadmus’, painted by Alaux, lithographed by Mr. Barathier;

‘Sacristie de Saint-Wandrill’, painted by Button, lithographed by Mr. Courtin;

‘Le convoi d'Isabeau de Bavière’, painted by Truchot, lithographed by Mr. Deroy;

‘Louis XI, roi de France’, painted by ' ' lithographed by Mr Maurin;

‘Saint Paul prisonnier’, painted by Granet, lithographed by Mr. Maurin;

‘Le château de Pierre-fond’, painted by Regnier, lithographed by Villeneuve;

‘L'hospice du Saint-Gothard’, painted by Horace Vernet, lithographed by Vathier;

‘Ismayl et Maryam’, painted by Horace Vernet, lithographed by Bellay;

‘Vue de San Germano’, painted by Bidault, lithographic by Villeneuve;

‘Un enfant abandonné par sa mère’, painted by Vigneron, lithographed by Bellay;

‘Guillaume Tell’, painted by Steuben, lithographed by Weber;

‘La marchande de pommes’, painted by Drolling, lithographed by Mr. Bellay;

‘Clair de lune’, painted by Miss Sarrazin of Belmont, lithographed by Mr. Deroy;

‘Maria Grazia’, painted by Mr. Schnetz, lithographed by Mr. Marin;

‘Cendrillon’, painted by Mr. Laurent, lithographed by Mr. Bellay;

‘Le Turc’, painted by Girodet, lithographed by Mr. Marin;

‘Mme de la Vallière’, pent by Ducis, lithographed by Marin;

‘Intérieur Moresque’, painted by Truchot, lithographed by Mr. Renoux;

‘Marine’, painted by Eugene Isabey Jr., lithographed by Mr. Jacottet;

‘David charmant la mélancolie de Saül’, painted by Gros, lithographed by Mr. Fragonard;

‘Bataille de Jemmapes’, painted by Horace Vernet, lithographed by Mr. Marin;

‘Le bac de Neuilly-sur-Seine’, painted by Michallon, lithographed by Mr. Villeneuve;

‘La visitation de la Vierge’, painted by Mr. Blondel, lithographed by Mr. Barathier;

‘Eucharis et Télémaque’, painted by Mr. Monvoisin, lithographed by Mr. Barathier;

‘Prairie de Hollande’, painted by E.J. ‘Verboeckhoven’, lithographed by Mr Volmar;

‘Entrevue du Duc de Montpensier’, painted by the Duke of Montpensier, lithographed by Mr. Bellay;

‘Le Duc d'Orléans donnant une leçon de géographie’, painted by Mr. Couder, lithographed by Mr. Chrétien;

‘Intérieur d'une église de Boulogne’, painted by Mr. Gafsies, lithographed by Mr. Courtin;

‘Napoléon’’, painted by Horace Vernet, lithographed by Mr. Weber;

‘Laban cherchant ses idoles’, painted by Mr. Ronmy, lithographed by Mr. Bellay;

‘Vue de Grenoble’, painted by Mr. Gudin, lithographed by Mr. Deroy;

‘Jeune patre romain endormi’, painted by Mr. Monvoisin, lithographed by Mr. Aubry-le-Comtete;

‘Jeune page’, painted by Mr. Laurent, lithographed by Mr. Bellay;

‘Les apprêts d'un mariage’, painted by Mr. Vigneron, lithographed by Mr. Vallon de Villeneuve;

‘Vieux berger d'Italie’, painted by Schnetz, lithographed by Mr. Marin Lavigne;

‘Bacchus enfant’, painted by Miss Duvidal, lithographed by Mr. Morin;

‘Marine, painted by Mr. Gudin, lithographed by Mr. Deroy;

‘Intérieur d'un café’, painted by Mr. Boilly, lithographed by Mr. Bellay;

‘Vue prise en Auvergne’, painted by Michallon, lithographed by Deroy;

‘Le grenadier de Waterloo’, painted by Horace Vernet, lithographed by Weber;

‘Marie de Médicis’, lithographed by Mr Bellay;

‘Une fileuse et ses enfants’, painted by Géricault, lithographed by Mr. Weber;

‘Paysage, effet de neige’, painted by Mallebranche, lithographed by Renoux;

‘La victoire de Marathon’, painted by Mr. Couder, lithographed by Mr. Chrétien;

‘Gustave Wasa’, painted by Mr. Hersent, lithographed by Mr. Weber;

‘Louis XIII, roi de France’, painted by Philippe de Champaigne, lithographed by Mr. Marin-Lavigne;

‘Vue du parc de Neuilly’, painted by Watelet, lithographed by Deroy;


Volume 2:

‘Portrait de S.A.R.M. le Duc d'Orléans’, lithographed by Mauzaisse;

‘Entrée de la cavée’, painted by Regnier, lithographed by Deroy;

‘Bataille de Montmirail’, painted by Horace Vernet, lithographed by Marin-Lavigne;

‘Enterrement de village’, painted by Roger, lithographed by Bellay;

‘Portrait du Général Foy’, painted by Horace Vernet, lithographed by Mauzaisse;

‘Intérieur’, painted by Mr. Genod, lithographed by Maurin;

‘Prométhée’, painted by Léon Pallière, lithographed by Mr. Marin-Lavigne;

‘Mort du prince Poniatowski’, painted by Horace Vernet, lithographed by Wéber;

‘Voyage en poste’, painted by Swebach, lithographed by Bellay;

‘Laitière romaine’, painted by Michallon, lithographed by Jelly;

‘Marine’, painted by Gudin, lithographed by Deroy;

‘Bénédiction des maisons’, painted by Granet, lithographed by Marin-Lavigne;

‘L'Italie’, painted by Duclos, lithographed by Dupressoir and Adam;

‘Les femmes grecques’, painted by Scheffer, lithographed by Maurin;

‘Chambre d'un cordonnier’, painted by Senave, lithographed by Zwinger;

‘Moulin de Mariakerk’, painted by Gudin, lithographed by Deroy;

‘Vue prise dans les environs de Riom’, painted by Regnier, lithographed by Bichebois;

‘Bernard Strozzi’, painted by Granet, lithographed by Marin-Lavigne;

‘Le cardinal Mazarin’, painted by Philippe de Champaigne, lithographed by Chrétien;

‘Bataille de Hanau’, painted by Horace Vernet, lithographed by Grenier;

‘L'abri champêtre’, painted by Leopold Leprince, lithographed by V. Adam and Renoux;

‘Jeune paysanne romaine’, painted by Alaux, lithographed by Weber;

‘Un camp de Lapons’, painted by Ronmy, lithographed by Sabatier;

‘Le jeune mari malade’, painted by Decaisne, lithographed by Maurin;

‘Intérieur de la chapelle Minutolo’’, painted by Lemasle, lithographed by Courtin;

‘Marie Stuart’, painted, lithographed by Grévedon;

‘La mer’, painted by Roqueplan, lithographed by Deroy;

‘La bergère d'Italie’, painted by Monvoisin, lithographed by Mr Baron Atthalin;

‘Vue prise en Auvergne’, painted by Michallon, lithographed by Deroy;

‘Scène de jalousie’, painted by Franquelin, lithographed by Wéber;

‘Atelier de Truchot’, painted by Monthélier, lithographed by Bellay;

‘Combat de corsaires’, painted by Horace Vernet, lithographed by Maurin;

‘Vue extérieure du jardin de la maison de Beaumarchais’, painted by Bouchot, lithographed by Renoux;

‘Le cardinal de Richelieu’, painted by Philippe de Champaigne, lithographed by Chrétien;

‘Paysage’, painted by Vallin, lithographed by Mr. Asselineau;

‘Olivier Cromwell’, lithographed by Mr. Grévedon;

‘Mort du peintre Jacone’, painted by Granet, lithographed by Tourdy;

‘Laurent de Médicis’, painted by Mauzaisse, lithographed by Aubry Lecomte;

‘Vue de Subiaco, painted by Michallon, lithographed by Leopold Peak;

‘L'étalon’, painted by Géricault, lithographed by Volmar;

‘Sauvetage de l'équipage de la gabare l'alouette’, painted by Crépin, lithographed by Asselineau and V. Adam;

‘Combat de cavaliers’, painted by Taunay, lithographed by Mr. Bellay;

‘Le marchand de tisane’, painted by Boilly, lithographed by Tourdy;

‘Vue des glaciers de Grindelwald’, painted by Michallon, lithographed by Deroy;

‘Bataille de Valmy’, painted by Horace Vernet, lithographed by Marin-Lavigne;

‘Intérieur d'une église’, painted by Clérian, lithographed by Mr. Rulen;

‘Marine’, painted by Eugene Isabey, lithographed by MMM. Saint-Aulaire and Adam;

‘Intérieur d'une cour de roulage’, painted by Bouhot, lithographed by Viard;

‘Henri Ruzé Coiffier’, painted by Le Main, lithographed by Gévedon;

‘Panthère et ses petits’, painted by Berré, lithographed by Wolmar;

‘Le parc de Windsor’, painted by W. Daniell, lithographed by Leopold Peak;

‘La laitière’, painted by Drolling, lithographed by Wéber;

‘Ruines de Palmyre’, painted by Count Turpin of Crissé, lithographed by Courtin and Adam;

‘L'América’, painted by Mr. Theodore Gudin, lithographed by Messrs. Sabatier and Adam;

‘Mort de saint Antoine’, painted by Granet, lithographed by Asselineau and Leon Noel;

‘Le duc d'Orléans’, painted by Horace Vernet, lithographed by Marin-Lavigne;

‘Vue de la cataracte de Niagara’, painted by Mr. Duke of Montpensier, lithographed by Deroy;

‘Une lionne et ses petits’, painted by Berré, lithographed by Wolmar;

‘Marine’, painted by Mauzin, lithographed by Saint-Aulaire and Adam;

‘Vue intérieure de la villa Mécène’, painted by Granet, lithographed by Drulin and Leon-Noel;

‘La pélerine, peint par Bonnefons’, painted by Bonnefons, lithographed by Aubry-le-Comte;

‘Vue de Reichenau’, painted by Ronmy, lithographed by Leborne and Victor Adam;

‘Portrait de S.A.R. ‘Mademoiselle d'Orléans’, painted by Gérard, lithographed by Weber;

‘Enterrement d'une jeune fille’, painted by Ronmy, lithographed by Messrs. Adam and Wanderburg;

‘Vue de Tokouo’, painted by Storelli, lithographed by Viard and Victor Adam;

‘Portrait de S.A.R. ‘Mari Amélie Thérèse, duchesse d'Orléans’, painted by Gérard, lithographed by Maurin;

‘Vue des échelles de Savoie’, painted by Gudin, lithographed by Deroy;

‘Vue du Cap-Nord’, painted by Crépin, lithographed by Saint-Aulaire and Adam;

‘Portrait de Napoléon’, painted and lithographed by Mauzaisse;

‘La mort d'Hippolyte’, painted by Court, lithographed by Marin-Lavigne;

‘La mort d'Adonis’, painted by Baltard, lithographed by Leopold Pic;

‘Combat de Bénouth en Egypte’, painted by Langlois, lithographed by Tourdy;

‘Tombeau de Saint Omer’, watercolour of Bonington, lithographed by Lecamus and Adam;

‘Tombeau de Saint Omer’, painted by Horace Vernet, lithographed by Mr. Marin;

‘Paysage de composition’, painted by Watelet, lithographed by Tirpenne;

‘Portrait de Jean-Jacques Rousseau’, painted by Gérard, lithographed by Mauzaisse.


PRIVATE COLLECTION

Provenance EX Fieldmarshal Rommels Headquarter in Normandy during Allies Landing

BIBLIOTHEQUE CHÂTEAU LA ROCHE-GUYON

Library Stamps

Very Good Condition

******************************************************************************************************************************

NOT INCLUDED IN THIS SALE

but

ON REQUEST THERE'S A SIMILAR RARE EARLY LITHOGRAPHIC Paris 1822 WORK 

OBTAINABLE.

(Small  EDITION only 161 Expl. relating Subscribers List)

https://0700polygraf.blogspot.com/2021/04/galerie-berry-grenier.html

BONNEMAISON , Le Chevalier de. 

Galerie de son Altesse Royale Madame la Duchesse de Berry. 

Ouvrage dédié à S.A.R et lithographié par d'habiles artistes. 

Paris, Imprimerie Didot 1822. 

2 vols. grand in-folio. 1/2 maroquin rouge.

dos long orné de roulettes et fleur. dorées 

Reliure de l'époque Condition relating to age spotting & with traces of use EARLY LITHOGRAPHIC PRODUCTION Remembering that the first printed lithographic book was made in Paris 1816/17 by Charles de Lasterie cf. MICHAEL TWYMAN  Early Lithographed Books Rather scarce Subscribers List counts only 161 Clients Added Extra & separately offered  are two Masterworks (Photos 7,8): Fine and by Collectors researched Early Crayon Lithographs on chine appliqué with Flower Sujets by Brienne after  Gérard van Spaendonck a) DES FLEURS DANS UNE VASE (Roses, Jacinthes, Lilas) [very small edition of 161 regarding subscribers list] b) DES FLEURS DANS UNE VASE (Narcisses, Anemones, Renoncules, Jacinthes, et autres Fleurs de la Saison)   [very small edition of 161 regarding subscribers list] Collation  Vol.I 45 Planches (plus 2 Spaendonck ) Vol.II 53 Planches Vol.I 39 pages Texte Vol.II 36 pages Texte PROVENANCE PRIVATE COLLECTION cf. J.G.T. GRAESSE Trésor des Livres Rares et Précieuses cf.  Bibliotheque nationale de France. Paris British Museum&Library.London Library of Congress. Washington

• Condition: Gebraucht
• Jahr: 1824-29
• Echtheitszertifikat: Ja
• Produktart: Lithographien
• Besonderheiten: LIMITED SMALL EDITION. SUBSCRIBERS LIST
• Eigenschaften: Echtheitszertifikat
• Höhe: GR-in FOLIO
• Breite: Gr-in FOLIO
• Größe: Mittel (bis 100cm)
• Technik: LITHOGRAPHIE Crayonmanier
• Herstellungsmethode: STEINDRUCK
• Original/Lizenzierte Reproduktion: Original
• Breite (cm): 380mm
• Herstellungszeitraum: 1800-1849
• Anzahltyp: Sammlung
• Echtheitszertifikat ausgestellt von: BVS EXP REFS KST VALUE
• Künstler: VATOUT & QUÉNOT
• Ausgewählte Suchfilter: Paris
• Handgefertigt: Ja
• Originalität: SUBSCRIPTION SMALL EDITION DE LUXE
• Material: CHINÉ APPLIQUÉ
• Motiv: Paris, GENRE,LANDSCHAFT,PORTRAIT,MILITARIA
• Land: Frankreich
• Herkunftsregion: FRANCE
• Kunststil: Realismus
• Farbe: braun
• Marke: GALERIEWERK.LITHOGRAPHIE
• Herstellungsland und -region: Frankreich
• Höhe (cm): 550mm
• Thema: Architektur, Biblisches, Blumen, Mode, Landschaften, Berufe, Jagd, Marine, Militär, Mythologie, Porträts, Reise, LITHOGRAPHIE
• Verkäufertyp: CHARLES MOTTE PARIS
• Anzahl der Einheiten: 2 vols
• Zeitraum: 1800-1899
• Herstellungsjahr: 1824

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