JAMES BOND - Thunderball - EARL CAMERON C.B.E., PINDER - Autogrammkarte A59

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The late Earlston J. Cameron , CBE (born 8 August 1917), known as Earl Cameron , was a Bermudian actor long resident in England. Along with Cy Grant, he is known as one of the first black actors to break the "colour bar" in the United Kingdom.

Following the death of Olaf Pooley on 14 July 2015, Cameron became the oldest living actor to have appeared in Doctor Who . On 8 August, 2017, he became the third "Doctor Who" actor to reach the age of 100

With his appearance in 1951's Pool of London , Cameron became one of the first black actors to take up a starring role in a British film after Paul Robeson, Nina Mae McKinney and Elisabeth Welch in the 1930s.

According to Screenonline , "Earl Cameron brought a breath of fresh air to the British film industry's stuffy depictions of race relations. Often cast as a sensitive outsider, Cameron gave his characters a grace and moral authority that often surpassed the films' compromised liberal agendas." He also had repeated appearances on many British science fiction programmes of the 1960s, including Doctor Who , The Prisoner , and The Andromeda Breakthrough .

Early career

Cameron was born in Pembroke, Bermuda. As a young man, he joined the British Merchant Navy, and sailed mostly between New York and South America.

When the Second World War broke out he found himself stranded in London, arriving on the ship The Eastern Prince on 29 October 1939. As he himself put it in an interview for The Royal Gazette newspaper: "I arrived in London on 29 October 1939. I got involved with a young lady and you know the rest. The ship left without me, and the girl walked out too."

In 1941, a friend named Harry Crossman gave Cameron a ticket to see a revival of Chu Chin Chow at the Palace Theatre. Crossman and five other black actors had bit parts in the West End production. Cameron who was working at the kitchen of the Strand Corner House at the time, was fed up with menial jobs and asked Crossman if he could get him on the show. At first he told Cameron that all of the parts were cast, but two or three weeks later, when one of the actors did not show up, Crossman arranged a meeting with the director Robert Atkins, who cast Cameron on the spot.

According to Cameron, he had a less difficult time than other black actors because his Bermudian accent sounded American to British ears. For example, the following year, he landed a speaking role as Joseph, the chauffeur in the American play The Petrified Forest by Robert E. Sherwood.

In 1945 and 1946 he took on the role of one of the Dukes in the singing trio "The Duchess and Two Dukes", which toured with the Entertainments National Service Association (ENSA) to play to British armed forces personnel in India in 1945, and the Netherlands in 1946. In 1946 Cameron returned to Bermuda for five months but decided to return to work as an actor in the UK. He then took a job on the London stage as an understudy in the play Deep Are the Roots . Written by Arnaud d'Usseau and James Gow, this play was staged at the Wyndham's Theatre in London for six months (featuring Gordon Heath) and then went on tour. It was during this tour that Cameron first met, and worked alongside, Patrick McGoohan during a production of that play in Coventry. (In 2012, Cameron participated alongside local actors in Bermuda in a reading of Deep Are the Roots , which the Bermuda Sun described as a play "dear to Earl’s heart, for it not only gave him his first break in the West End as Britain’s first black actor, but he also met his first wife when he travelled on tour with the production.")

He understudied in Deep are the Roots with fellow understudy Ida Shepley, a well known singer. As Cameron was having problems with his diction at the time she introduced him to a very good voice coach named Amanda Ira Aldridge. Miss Aldridge was the daughter of Ira Aldridge, a legendary black Shakespearian American actor of the 19th century. Cameron's breakthrough acting role was in Pool of London , a 1951 film directed by Basil Dearden, set in post-war London involving racial prejudice, romance and a diamond robbery. He won much critical acclaim for his role in the film.

Film career

His next major film role following his work in Pool of London was in the 1955 film Simba . In this drama about the Mau Mau uprising in Kenya, Cameron played the role of Peter Karanja, a doctor trying to reconcile his admiration for Western civilisation with his Kikuyu heritage. That same year Cameron played the Mau Mau general Jeroge in Safari .

From the 1950s to the present day, Cameron has had major parts in many films, including: The Heart Within (1957), in which he played a character Victor Conway in a crime movie again set in the London docklands; and Sapphire (1959) in which he played Dr Robbins, the brother of a murdered girl; and The Message (1976) – the story of the Prophet Muhammad, where he played the King of Abyssinia.

Other film appearances have included: Tarzan the Magnificent (1960), in which he played Tate; Flame in the Streets (1961), in which he played Gabriel Gomez; Tarzan's Three Challenges (1963), in which he played Mang; Guns at Batasi (1964), in which he played Captain Abraham; and Battle Beneath the Earth (1967), in which he played Sergeant Seth Hawkins; A Warm December (1973), in which he acted with Sidney Poitier and played the part of an African ambassador to the UK.

Cameron was strongly considered for the role of Quarrel in Dr. No (1962) by both director Terence Young and co-producer Albert R. Broccoli, whom he knew from his Warwick Films work; however, Harry Saltzman did not think him suitable for the role and cast American John Kitzmiller. They asked Cameron back to the James Bond series for Thunderball (1965), in which he played Bond's Caribbean assistant Pinder. Cameron also acted alongside Thunderball lead Sean Connery in Cuba , in which he played Colonel Levya.

His most recent film appearances include a major role in The Interpreter (2005), playing the fictitious dictator Edmond Zuwanie. Cameron's performance was universally praised. The Baltimore Sun wrote: "Earl Cameron is magnificent as the slimy old fraud of a dictator..." and Rolling Stone described his appearance as "subtle and menacing". Philip French in The Observer referred to "that fine Caribbean actor Earl Cameron". In 2006 he appeared in a cameo as a portrait artist in the film The Queen (directed by Stephen Frears), alongside Helen Mirren. In 2010 he appeared as "Elderly Bald Man" in the film Inception . In 2013 he appeared as "Grandad" in the short film Up on the Roof .

TV career

Cameron has had roles in a wide range of TV shows but one of his earliest major roles was a starring part in the BBC 1960 TV drama The Dark Man , in which he played a West Indian cab driver in the UK. The show examined the reactions and prejudices he faced in his work. In 1956 he had a smaller part in another BBC drama exploring racism in the workplace, A Man From The Sun , in which he appeared as community leader Joseph Brent, the cast also featuring Errol John, Cy Grant, Colin Douglas and Nadia Cattouse.

Cameron appeared in a range of popular television shows including series Danger Man (Secret Agent in the US) alongside series star Patrick McGoohan. Cameron worked with McGoohan again in 1967 when he appeared in the TV series The Prisoner as the Haitian supervisor in the episode "The Schizoid Man".

His other television work includes Emergency – Ward 10 , The Zoo Gang , Crown Court (two different stories, each three episodes long, in 1973), Jackanory (a BBC children's series in which he read five of the Brer Rabbit stories in 1971), Dixon of Dock Green , Doctor Who The Tenth Planet , Neverwhere , Waking the Dead , Kavanagh QC , Babyfather , EastEnders (a small role as a Mr Lambert), Dalziel and Pascoe , and Lovejoy .

He also appeared in a number of other one-off TV dramas, including: Television Playhouse (1957); A World Inside BBC (1962); ITV Play of the Week (two stories – The Gentle Assassin (1962) and I Can Walk Where I Like Can't I? (1964); the BBC's Wind Versus Polygamy (1968); ITV's A Fear of Strangers (1964), in which he played Ramsay, a black saxophonist and small-time criminal who is detained by the police on suspicion of murder and is also racially abused by a Chief Inspector Dyke (played by Stanley Baker); Festival: the Respectful Prostitute (1964); ITV Play of the Week – The Death of Bessie Smith (1965); Theatre 625: The Minister (1965); The Great Kandinsky (1994); and two episodes of Thirty-Minute Theatre (Anything You Say 1969 and another in 1971). In 1996 he appeared on BBC2 as The Abbott in Neverwhere , an urban fantasy television series by Neil Gaiman.

Following the death of Olaf Pooley on 14 July 2015, Cameron became the oldest living actor to have appeared in Doctor Who . On 8 August, 2017, he became the third "Doctor Who" actor to reach the age of 100

Personal life

Since 1963 Cameron is a practitioner of Bahá'í. The Bahá'í community held a reception in London in 2007 to honour his 90th birthday. He currently lives in Warwickshire in England. He is married to Barbara Cameron. His first wife, Audrey Cameron, died in 1994. He has six children.

Honours

He was appointed Commander of the Order of the British Empire (CBE) in the 2009 New Year Honours.

The Earl Cameron Theatre in Hamilton, Bermuda was named in his honour at a ceremony he attended there in December 2012.

The University of Warwick awarded Cameron an honorary doctorate in January 2013.

Filmography

Year

Title

Role

Notes

1951

Pool of London

Johnny Lambert

There Is Another Sun

Ginger Jones

1952

Emergency Call

George Robinson

1955

Simba

Karanja

The Woman for Joe

Lemmie

Safari

Jeroge (Njoroge)

1956

Odongo

Hassan

1957

The Heart Within

Victor Conway

The Mark of the Hawk

Prosecutor

1959

Killers of Kilimanjaro

Sapphire

Dr. Robbins

1960

Tarzan the Magnificent

Tate

1961

No Kidding

Black father

Flame in the Streets

Gabriel Gomez

1963

Tarzan's Three Challenges

Mang

1964

Guns at Batasi

Captain Abraham

1965

Thunderball

Pinder

1966

The Sandwich Man

Bus Conductor

1967

Battle Beneath the Earth

Sgt. Seth Hawkins

1968

Two a Penny

Verger

1969

Two Gentlemen Sharing

Jane's father

1973

A Warm December

1976

Mohammad, Messenger of God

Najashi

1979

Cuba

Col. Leyva

2001

Revelation

Cardinal Chisamba

2005

The Interpreter

Edmond Zuwanie

2006

The Queen

Portrait Artist

2010

Inception

Elderly Bald Man

Thunderball (1965) is the fourth spy film in the James Bond series to be produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the novel of the same name by Ian Fleming, which in turn was based on an original screenplay by Jack Whittingham. It was directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins.

Maurice Binder was hired to design the title sequence, and was involved in a dispute with Eon Production to have his name credited in the film. As Thunderball was the first James Bond film shot in Panavision, Binder had to reshoot the iconic gun barrel scene which permitted him to not only incorporate pinhole photographic techniques to shoot inside a genuine gun barrel, but also made Connery appearing in the sequence for the first time a reality, as stunt man Bob Simmons had doubled for him in the three previous films. Binder gained access to the tank at Pinewood which he used to film the silhouetted title girls who appeared naked in the opening sequence, which was the first time actual nudity (although concealed) had ever been seen in a Bond film.

On 26 June 2013, Christie's auction house sold the Breitling SA Top Time watch worn in the film by Connery for over £100,000; given to Bond by Q, it was also a Geiger counter in the plot.

Music

Thunderball was the third James Bond score composed by John Barry, after From Russia with Love and Goldfinger . The original title song was entitled "Mr. Kiss Kiss, Bang Bang", taken from an Italian journalist who in 1962 dubbed agent 007 as Mr. Kiss Kiss, Bang Bang. The title theme was written by Barry and Leslie Bricusse; the song was originally recorded by Shirley Bassey, and later rerecorded by Dionne Warwick, whose version was not released until the 1990s. The song was removed from the title credits after producers Albert R. Broccoli and Harry Saltzman were worried that a theme song to a James Bond film would not work well if the song did not have the title of the film in its lyrics. Barry then teamed up with lyricist Don Black and wrote "Thunderball", which was sung by Tom Jones, who according to Bond production legend, fainted in the recording booth when singing the song's final note. Jones said of it, "I closed my eyes and I held the note for so long when I opened my eyes the room was spinning."

Country musician Johnny Cash also submitted a song to Eon productions titled "Thunderball", but it went unused.

The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world to ransom for £100 million in diamonds, in exchange for not destroying an unspecified major city in either England or the United States (later revealed to be Miami). The search leads Bond to the Bahamas, where he encounters Emilio Largo, the card-playing, eye patch-wearing SPECTRE Number Two. Backed by CIA agent Felix Leiter and Largo's mistress, Domino Derval, Bond's search culminates in an underwater battle with Largo's henchmen. The film had a complex production, with four different units and about a quarter of the film consisting of underwater scenes. Thunderball was the first Bond film shot in widescreen Panavision and the first to have running time of over two hours.

Thunderball was associated with a legal dispute in 1961 when former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued him shortly after the 1961 publication of the novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond. The lawsuit was settled out of court and Bond film series producers Albert R. Broccoli and Harry Saltzman, fearing a rival McClory film, allowed him to retain certain screen rights to the novel's story, plot, and characters and for McClory to receive sole producer credit on this film; Broccoli and Salzman were instead credited as Executive Producers.

The film was a success, earning a total of $141.2 million worldwide, exceeding the earnings of the three previous Bond films. In 1966, John Stears won the Academy Award for Best Visual Effects and production designer Ken Adam was also nominated for a BAFTA award. Thunderball is the most financially successful film of the series when adjusting for ticket price inflation. Some critics and viewers showered praise on the film and branded it a welcome addition to the series, while others complained of the repetitively monotonous aquatic action and prolonged length. In 1983, Warner Bros. released a second film adaptation of the novel under the title Never Say Never Again , with McClory as executive producer.

Plot

James Bond attends the funeral of Colonel Jacques Bouvar, a SPECTRE operative connected with the previous murders of two MI6 agents. Bouvar is alive and disguised as his own widow, but Bond identifies him. Pursuing Bouvar to his château, Bond fights and kills him, escaping with use of a jetpack and his Aston Martin DB5, conveniently driven up by French agent, Madame La Porte.

At a SPECTRE meeting in Paris, chaired by the enigmatic Number One, Emilio Largo (SPECTRE operative Number Two) introduces the group's latest project: hijacking two atomic bombs and holding NATO for ransom. The plot begins at the Shrublands sanatorium, located close to the NATO air base. Coincidentally, James Bond is at Shrublands to improve his health. There, he notices Count Lippe, an operative of SPECTRE with a Tong tattoo. Bond searches Lippe's room, but is seen leaving by Lippe's clinic neighbour, whose head is covered in bandages. Lippe tries to murder Bond with a spinal traction machine, but Bond is saved by his physiotherapist, Patricia Fearing, whom he then coerces into having sex.

Lippe and Angelo, the bandaged man, are part of SPECTRE'S plot. Angelo's face was surgically altered to match the appearance of François Derval, a French Air Force pilot slated to fly on a training mission aboard an RAF strategic jet bomber Avro Vulcan loaded with two atomic bombs. Derval is murdered by Angelo Palazzi, who then tries to extort more money for his services from SPECTRE. Agent Fiona Volpe seemingly acquiesces to his demands and he takes Derval's place on the flight. On the flight, Angelo gasses the remainder of the crew, hijacks the plane, and executes a controlled water landing near the Bahamas, submerging the jet. The atomic bombs are retrieved by SCUBA-equipped SPECTRE operatives, commanded by Largo. Angelo, trapped by his seat strapping, is killed by Largo for reneging on his original deal with SPECTRE. Meanwhile, Bond has uncovered Derval's corpse at the sanatorium. Bond is later attacked by Lippe, who is killed by a rocket-propelled grenade launched by a motorcycle as punishment for failing to foresee Angelo's greed. The motorcycle's fully masked rider later pushes it into the water, after which the rider is revealed to be Volpe as she had removed her leather mask, goggles, and gloves, and was removing her headgear.

Back in London, at an MI6 conference, all of the 00 agents are informed that SPECTRE demands £100 million from NATO in exchange for returning the bombs and threatens to destroy a major city in the United States or the United Kingdom. At the meeting, Bond recognises Derval from a photograph. Bond requests M to be sent to Nassau, Bahamas, where Derval's sister, Domino, is staying.

While snorkelling, Bond meets Domino. Later, at a casino, he encounters Domino and Largo, who has taken Domino as his mistress. Bond enters a game against Largo and wins, and subsequently takes Domino to a dance. Bond and Largo recognise each other as adversaries and begin a tense cat-and-mouse game of attempting to gain advantage over each other while still pretending ignorance of their adversary's true nature. Bond meets Felix Leiter and Q, and is issued various gadgets, including an underwater infrared camera, a distress beacon, underwater breathing apparatus, a flare gun, and a Geiger counter. Diving under Largo's ship, the Disco Volante , Bond fails to find the atomic bomb, but detects an underwater hatch; Bond narrowly escapes Largo's henchmen. The next day, Bond visits Largo at his estate, Palmyra.

Bond is kidnapped by Fiona Volpe, but escapes through a Junkanoo celebration to the Kiss Kiss club, where Fiona is accidentally shot and killed by her own bodyguard. Bond and Felix search for the Vulcan, finding it under water. Bond tells Domino that Largo killed her brother and asks her for help in finding the bombs, giving her his Geiger counter. As she is looking for the bombs on board, she is discovered and tortured by Largo.

Meanwhile, Bond disguises himself as one of Largo's henchmen, and uncovers Largo's plan to destroy Miami Beach. Bond is discovered by Largo, but rescued by Leiter, who orders the United States Coast Guard to parachute to the area via US Air Force transport aircraft. After an underwater battle, the henchmen surrender. Largo escapes to his ship, which has one of the bombs on board. As it begins to leave, Bond gets on underwater. The ship is pursued by Royal Navy and U.S. Coast Guard vessels, but Largo jettisons the rear of the ship, revealing the front as a hydrofoil as it escapes. Bond fights Largo on board, and he is about to shoot Bond when Domino, freed by Largo's nuclear physicist Ladislav Kutze, shoots Largo with a harpoon gun. Bond, Domino, and Kutze jump overboard, and the boat runs aground and explodes. A sky hook-equipped CIA B-17 aircraft then rescues Bond and Domino.

Cast
  • Sean Connery as James Bond (007): An MI6 agent assigned to retrieve two stolen nuclear weapons

  • Adolfo Celi as Emilio Largo (voice dubbed by Robert Rietty): Main antagonist. SPECTRE's Number Two, he creates a scheme to steal two atomic bombs.

  • Claudine Auger as Dominique "Domino" Derval (voice dubbed by Nikki van der Zyl): Largo's mistress, in early drafts of the screenplay, Domino's name was Dominetta Palazzi. When Claudine Auger was cast as Domino, the name was changed to Derval to reflect her nationality. The character's wardrobe reflects her name, as she is usually dressed in black and/or white.

  • Luciana Paluzzi as Fiona Volpe: SPECTRE agent, who becomes François Derval's mistress and later assists Largo in Nassau

  • Rik Van Nutter as Felix Leiter: CIA agent who helps Bond

  • Bernard Lee as M: Head of MI6

  • Martine Beswick as Paula Caplan: Bond's CIA ally in Nassau who is kidnapped by Vargas and Janni and then commits suicide

  • Guy Doleman as Count Lippe: the SPECTRE agent in charge of the operation of replacing Derval with Angelo, he tries to kill Bond at the health clinic and is later assassinated by SPECTRE agent Volpe by means of an RPG mounted on a motorcycle.

  • Molly Peters as Patricia Fearing: A physiotherapist at the health clinic

  • Earl Cameron as Pinder: Bond and Felix Leiter's assistant in the Bahamas

  • Paul Stassino as François Derval and Angelo Palazzi: Derval is a French Air Force pilot assigned to the NATO staff and also Domino's brother. He is killed by Angelo, who impersonates him. Angelo hijacks the jet and is killed by Largo for trying to extort more money.

  • Desmond Llewelyn as Q: MI6's quartermaster, he supplies Bond with multipurpose vehicles and gadgets useful for the latter's missions.

  • Roland Culver as the Home Secretary: British Minister who briefs the "00" agents for Operation Thunderball and has doubts about Bond's efficiency

  • Lois Maxwell as Miss Moneypenny: M's secretary

  • Philip Locke as Vargas: Largo's personal assistant and henchman, his ascetic demeanour emphasises his devotion as a killer. He is killed by Bond with a spear gun on the beach.

  • George Pravda as Ladislav Kutze: A nuclear physicist, he aids Largo with the captured bombs, but when Largo disregards the authorities firing on them, he pities and rescues Domino.

  • Michael Brennan as Janni: one of Largo's henchmen, usually paired with Vargas Rose Alba as Madame Boitier

  • Leonard Sachs as Group Captain

  • Edward Underdown as Air Vice Marshal

  • Reginald Beckwith as Kenniston

  • Maryse Guy Mitsouko as Madame La Porte: a French secret service agent (uncredited)

  • Anthony Dawson as Ernst Stavro Blofeld (voiced by Eric Pohlmann): The head of SPECTRE (both uncredited)

  • Bill Cummings as Quist: one of Largo's henchmen, he is spared by Bond, but thrown to the sharks on Largo's orders. (uncredited)

  • André Maranne as SPECTRE Number 10 (uncredited)

  • Victor Beaumont as SPECTRE Number Three (uncredited)

Production

Legal disputes

Originally meant as the first James Bond film, Thunderball was the centre of legal disputes that began in 1961 and ran until 2006. Former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued Fleming shortly after the 1961 publication of the Thunderball novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond. The lawsuit was settled out of court; McClory retained certain screen rights to the novel's story, plot, and characters. By then, Bond was a box-office success, and series producers Broccoli and Saltzman feared a rival McClory film beyond their control; they agreed to McClory's producer's credit of a cinematic Thunderball , with them as executive producers.

Later, in 1964, Eon producers Broccoli and Saltzman agreed with McClory to cinematically adapt the novel; it was promoted as "Ian Fleming's Thunderball ". Yet, along with the official credits to screenwriters Richard Maibaum and John Hopkins, the screenplay is also identified as 'based on an original screenplay by Jack Whittingham' and as 'based on the original story by Kevin McClory, Jack Whittingham, and Ian Fleming'. To date, the novel has twice been adapted cinematically; the 1983 Jack Schwartzman-produced Never Say Never Again features Sean Connery as James Bond, but is not an Eon production.

Casting

Broccoli's original choice for the role of Domino Derval was Julie Christie following her performance in Billy Liar in 1963. Upon meeting her personally, however, he was disappointed and turned his attentions towards Raquel Welch after seeing her on the cover of the October 1964 issue of Life . Welch, however, was hired by Richard Zanuck of 20th Century Fox to appear in the film Fantastic Voyage the same year, instead. Faye Dunaway was also considered for the role and came close to signing for the part. Saltzman and Broccoli auditioned an extensive list of relatively unknown European actresses and models, including former Miss Italy Maria Grazia Buccella, Yvonne Monlaur of the Hammer horror films, and Gloria Paul. Eventually, former Miss France Claudine Auger was cast, and the script was rewritten to make her character French rather than Italian, although her lines were redubbed for the final cut. Nevertheless, director Young cast her once again in his next film, Triple Cross (1966). One of the actresses who tried for Domino, Luciana Paluzzi, later accepted the role as the redheaded femme fatale assassin Fiona Kelly, who originally was intended by Maibaum to be Irish. The surname was changed to Volpe in co-ordination with Paluzzi's nationality.

Filming

Guy Hamilton was invited to direct, but considered himself worn out and "creatively drained" after the production of Goldfing Terence Young, director of the first two Bond films, returned to the series. Coincidentally, when Saltzman invited him to direct Dr. No , Young expressed interest in directing adaptations of Dr. No , From Russia with Love and Thunderball . Years later, Young said Thunderball was filmed "at the right time", considering that if it was the first film in the series, the low budget (Dr. No cost only $1 million) would not have yielded good results. Thunderball was the final James Bond film directed by Young.

Filming commenced on 16 February 1965, with principal photography of the opening scene in Paris. Filming then moved to the Château d'Anet, near Dreux, France, for the fight in precredit sequence. Much of the film was shot in the Bahamas; Thunderball is widely known for its extensive underwater action scenes which are played out through much of the latter half of the film. The rest of the film was shot at Pinewood Studios, Buckinghamshire, Silverstone racing circuit for the chase involving Count Lippe, Fiona Volpe's RPG-armed BSA Lightning motorcycle and James Bond's Aston Martin DB5 before moving to Nassau, and Paradise Island in the Bahamas (where most of the footage was shot), and Miami. Huntington Hartford gave permission to shoot footage on his Paradise Island and is thanked at the end of the film.

On arriving in Nassau, McClory searched for locations to shoot many of the key sequences of the film and used the home of a local millionaire couple, the Sullivans, for Largo's estate, Palmyra. Part of the SPECTRE underwater assault was also shot on the coastal grounds of another millionaire's home on the island. The most difficult sequences to film were the underwater action scenes; the first to be shot underwater was at a depth of 50 feet to shoot the scene where SPECTRE divers remove the atomic bombs from the sunken Vulcan bomber. Peter Lamont had previously visited a Royal Air Force bomber station carrying a concealed camera which he used to get close-up shots of secret missiles (those appearing in the film were not actually present). Most of the underwater scenes had to be done at lower tides due to the sharks on the Bahamian coast.

After he read the script, Connery realised the risk of the sequence with the sharks in Largo's pool and insisted that production designer Ken Adam build a Plexiglas partition inside the pool. The barrier was not a fixed structure, so when one of the sharks managed to pass through it, Connery fled the pool, seconds away from attack. Ken Adam later told UK daily newspaper The Guardian ,

"We had to use special effects, but unlike special effects today, they were real. The jet pack we used in Thunderball was real - it was invented for the United States Army. Bloody dangerous, and it only lasted a couple of minutes. The ejector seat in the Aston Martin was real and Emilio Largo's boat, the Disco Volante , was real. You had power boats at that time, but there were no good-sized yachts that were able to travel at 40 to 50 knots, so it was quite a problem. But by combining a hydrofoil, which we bought in Puerto Rico for $10,000, and a catamaran, it at least looked like a big yacht. We combined the two hulls with a one-inch slip bolt and when they split it worked like a dream. We used lots of sharks for this movie. I'd rented a villa in the Bahamas with a saltwater pool which we filled with sharks and used for underwater filming. The smell was horrendous. This was where Sean Connery came close to being bitten. We had a plexiglass corridor to protect him, but I didn't have quite enough plexiglass and one of the sharks got through. He never got out of a pool faster in his life - he was walking on water."

When special-effects coordinator John Stears provided a supposedly dead shark to be towed around the pool, the shark, which was still alive, revived at one point. Due to the dangers on the set, stuntman Bill Cummings demanded an extra fee of £250 to double for Largo's sidekick Quist as he was dropped into the pool of sharks.

The climactic underwater battle was shot at Clifton Pier and was choreographed by Hollywood expert Ricou Browning, who had worked on Creature From the Black Lagoon in 1954 and other films. He was responsible for the staging of the cave sequence and the battle scenes beneath the Disco Volante and called in his specialist team of divers who posed as those engaged in the onslaught. Voit provided much of the underwater gear in exchange for product placement and film tie-in merchandise. Lamar Boren, an underwater photographer, was hired to shoot all of the sequences. United States Air Force Lieutenant Colonel Charles Russhon, who had already established Eon productions' rapports with the local authorities in Turkey for From Russia with Love (1963) and at Fort Knox for Goldfinger (1964), supplied the experimental rocket fuel used to destroy the Disco Volante . Russhon, using his position, was also able to gain access to the United States Navy's Fulton surface-to-air recovery system, used to lift Bond and Domino from the water at the end of the film. Filming ceased in May 1965, and the final scene shot was the physical fight on the bridge of the Disco Volante .

While in Nassau, during the final shooting days, special-effects supervisor John Stears was supplied experimental rocket fuel to use in exploding Largo's yacht. Ignoring the true power of the volatile liquid, Stears doused the entire yacht with it, took cover, and then detonated the boat. The resultant massive explosion shattered windows along Bay Street in Nassau roughly 30 miles away. Stears went on to win an Academy Award for his work on Thunderball .

As the filming neared its conclusion, Connery had become increasingly agitated with press intrusion and was distracted with difficulties in his marriage of 32 months to actress Diane Cilento. Connery refused to speak to journalists and photographers who followed him in Nassau, stating his frustration with the harassment that came with the role; "I find that fame tends to turn one from an actor and a human being into a piece of merchandise, a public institution. Well, I don't intend to undergo that metamorphosis." In the end he, gave only a single interview, to Playboy, as filming was wrapped up, and even turned down a substantial fee to appear in a promotional TV special made by Wolper Productions for NBC The Incredible World of James Bond . According to editor Peter R. Hunt, Thunderball' s release was delayed for three months, from September until December 1965, after he met David Picker of United Artists, and convinced him it would be impossible to edit the film to a high enough standard without the extra time.

Effects

Thanks to special-effects man John Stears, Thunderball' s pretitle teaser, the Aston Martin DB5 (introduced in Goldfinger ), reappears armed with rear-firing water cannon, seeming noticeably weathered – just dust and dirt, raised moments earlier by Bond's landing with the Bell Rocket Belt (developed by Bell Aircraft Corporation). The rocket belt Bond uses to escape the château actually worked, and was used many times, before and after, for entertainment, most notably at Super Bowl I and at scheduled performances at the 1964–1965 New York World's Fair.

Bond receives a spear gun-armed underwater jet pack scuba (allowing the frogman to manoeuvre faster than other frogmen). Designed by Jordan Klein, green dye was meant to be used by Bond as a smoke screen to escape pursuers. Instead Ricou Browning, the film's underwater director, used it to make Bond's arrival more dramatic.

The sky hook used to rescue Bond at the end of the film was a rescue system used by the United States military at the time. At Thunderball' s release, there was confusion as to whether a rebreather such as the one that appears in the film existed; most Bond gadgets, while implausible, often are based upon real technology. In the real world, a rebreather could not be so small, as it has no room for the breathing bag, while the alternative open-circuit scuba releases exhalation bubbles, which the film device does not. It was made with two CO2 bottles glued together and painted, with a small mouthpiece attached. For this reason, when the Royal Corps of Engineers asked Peter Lamont how long a man could use the device underwater, the answer was "As long as you can hold your breath."

  • Condition: Ungraded
  • Subject Type: TV & Movies
  • Card Size: Standard
  • Autographed: Yes
  • Character: Pinder
  • Autograph Format: Hard Signed
  • Film: James Bond - Thunderball
  • Custom Bundle: No
  • Year Manufactured: 2004
  • Material: Card Stock
  • Franchise: James Bond
  • Original/Licensed Reprint: Original
  • Type: Non-Sport Trading Card
  • Language: English
  • Manufacturer: Rittenhouse
  • Features: Hand Signed Autograph Card
  • Genre: James Bond, Spy-Fi, Espionage Fiction, Cult 50-Year Movie Franchise, Action, Adventure
  • Featured Person/Artist: Earl Cameron
  • Card Number: A59
  • Country/Region of Manufacture: United States

PicClick Insights - JAMES BOND - Thunderball - EARL CAMERON C.B.E., PINDER - Autogrammkarte A59 PicClick Exklusiv

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